Mod. Filmology
To reach your training goal I'm proposing you some causes to reflection based on the complex structure of movies using two study plans.
One is about the cinema works of Gilles Deleuxe where the cinematographic aesthetic it's like an open subject for the traditional knowledge experience, from the spectacular thought to the linguistics to the psychology. From the other side the movie's analysis it's something that need to be verify and ends to have different interpretation.
To realize these points we will be studying the analysis of the movie CACCIA TRAGICA (G. De Santis, 1947) through monitor and video player.
Are provide by the professor the show of 10 films.
Mod. Film Aesthetics
The course aims at questioning the film composition while focusing on deep constructive and imaginative dynamics that the filmic text can trigger out within and throughout its own narrative discourses.
We will examine several concepts as visual consistency, circularity, repetition through a detailed text analysis of three pieces of work very different from each other as Vicino al mare più azzurro (1936, Barnet), Il bandito (1946, Lattuada), E' sempre bel tempo (1954, Donen-Kelly).